C. Gibbs Review

 

For most musicians, there's a trade-off between skill and energy. Some sacrifice technical intricacy for the sake of raw, from-the-guts power. Others devote themselves to session-man precision, but at the cost of basic passion and freshness. And then, every once in a while, there are players like Christian Gibbs. The kind of guy who edges up to the stage, smiles shyly, and then, with an intense, controlled wail and a barrage of casually executed monster riffs,  proceeds to calmly and competently rip the bar a new one. In a few flicks of a hand he takes listeners from airy minor-chord introspection into a Gibson growl that would make AC/DC proud, and then suddenly back again, all the while spouting sly lyrics and peppering his playing with the kind of white-hot guitar runs that aspiring honky-tonkers dream about. Add to that an equally sharp live band (Gerald Menke on pedal steel and guitar, Gerald's brother Dan on drums, Lance Kruger on bass, and Quentin Jennings on guitar and keys) and the result is the proverbial quiet storm, capable of jerking tears and shaking the walls with equal grace and abandon.

 

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